Spider-Man: Across the Closet with Miles Morales and Gwen Stacy
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!

Reminiscences (1909-26), family film by Ouro Preto filmmaker Aristides Junqueira, collection of the MAM-Rio Cinematheque and Brazilian Cinemateca, is unveiled in his stories and points of view in the form of a filmic essay with archive footage, family scenes, interviews and voiceover to tell the unknown biography of a Brazilian film pioneer.
The film's storylines read as allegories for the queer experience and that's a source of solace for LGBTQIA+ fans!
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
How do zombie films shine new light in the post-Covid and post-Brexit era?