Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

Tadao decides to comes back from Tokyo to live in his home town, in the countryside. He stays at his parents place and finds a job, repairing transistor and television. He catches up with his friend Tetsuji, the only that haven’t left yet. But one night, Tetsuji decides to leave for Tokyo with a bar hostess.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
'The Lovebirds' is one of those movies that has a very direct appeal when it comes to its comedy. There isn’t a singular style, so much as tidbits of various ones here and there.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
A world of expansion awaits.