Nevertheless, she persisted: Dora and the Lost City of Gold
Dora is the superhero we didn't know we needed.

One summer morning, 12-year-old Camila stays at home with her friend Micaela. They are in the care of Sofia, Camila's older sister, but she remains asleep. The girls eat breakfast, watch videos, copy a choreography and play around the house, while on television a news program inquires about a femicide. Camila pays attention at times and wonders who the murderer was. A threat grows within the walls of the house and concerns are revealed in the games.
Dora is the superhero we didn't know we needed.
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
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Neo Sora left a realistic and yet hopeful notion for the near future and the now.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.