11-year-old Michi lives in a children's home, every day fighting to win the respect of the other kids, till the day he finds his real dad, Tom - who happens to be a dwarf, even shorter than Michi is, the opposite of his idea of manliness and strength. When the kids find out, Michi's life becomes hell and he flees. With nowhere to go, he moves in with Tom, who is new to this fatherhood thing, while Michi tried to hide his embarrassment and shame from his fellow school kids. This forces Tom, who had coped well till now, to confront his handicap head on. As time passes, they discover they have more in common than other sons and fathers, until their relationship is again suddenly put to the hard test...
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
