The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

Death is training his son in the art and responsibilities of the family business. His son does well until he's sent out on his own to claim an accident victim. Instead, he's asked by a friend of the dying man to help with CPR. Taken aback, he assents, the dying man is resuscitated, and Death's son is in the doghouse with dad. Enraged, pop gives his son 24 hours to deliver a corpse, so the young man sets out to ice the man who asked him for help earlier that day. Junior's target is a young actor, Tom, going through opening night and loved by Sarah, a rather histrionic young woman. A near-Death experience awaits them all as Junior comes of age.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
"Abominable" is an exciting story for children and a great step forward for positive Asian representation.
This Transgender Day of Remembrance, let us take a look at six films about transgender children grappling with their identity in a heteronormative world that despises their kind and tries its best to invalidate their feelings.