Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Astrid Lindgren's Christmas poster

Astrid Lindgren's Christmas 

This Christmas special breathes new life into some of Astrid Lindgren's beloved stories. Some, we've seen before, some we've never seen in animated form and some are completely new. Centering around a mysterious cuckoo clock, this film brings us into the worlds of Emil, Brenda Brave and Nils Karlsson Pyssling among others.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


This Christmas special breathes new life into some of Astrid Lindgren's beloved stories. Some, we've seen before, some we've never seen in animated form and some are completely new. Centering around a mysterious cuckoo clock, this film brings us into the worlds of Emil, Brenda Brave and Nils Karlsson Pyssling among others.

Rating:
Genre:Animation, Family, TV Movie
Written By:Astrid Lindgren, Are Austnes
In Theaters:
Box Office:

Runtime:59 minutes
Studio:Qvisten Animation, The Astrid Lindgren Company, SVT

Articles You May Like


Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Nilufer Ozmekik

Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger