‘Unknown Origins’: Cool Concept, Poor Execution
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.

Stephen Sondheim and librettist John Weidman discuss their stage musical Assassins, and offer advice for future productions. Sondheim, seated at a piano, focuses on the arrangement of his score, singing excerpts from the show's songs as examples. Weidman focuses on his text and the meaning of individual sequences. Scenic designer Loren Sherman, who designed the set for the 1990 Off-Broadway production of the show at Playwrights Horizons, displays his model for the set and offers advice on dealing with the scenic design challenges presented by the show. Each man appears separately and addresses the camera directly, with no interviewer present.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
‘Bruiser’ is an intense drama that explores unresolved childhood trauma and how it can affect the people around us.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like