Class 3-E is getting ready for their class trip to Kyoto, and Koro-sensei is as excited as ever! Nagisa is in a group with Kaede, Karma, Tomohito, Manami, and the class idol Yukiko Kanzaki. The students are aware of the fact that this is a great opportunity to assassinate Koro-sensei, but they cannot help having great time with him. However, the trip becomes even more exciting and dangerous when they get attacked by a bunch of delinquents who kidnap the girls. As if that is not enough, there is a hired sniper named Red Eye lurking around, ready to be the one who would assassinate Koro-sensei and claim the prize. Can the students of Class 3-E rely on Koro-sensei even now?
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Pose tells stories of queer joy and love in a time of intense hate and sadness.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.
Falling in love with 'Rocketman" all over again.
