'Men' Disappoints with a Flat Examination of Misogyny
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.

Ashkenazim—Jews of European origin—are Israel’s “white folks.” And like most white folks in a multicultural society, they see themselves as the social norm and don’t think of themselves in racial or ethnic terms because by now, “aren’t we all Israeli?” Yiddish has been replaced with Hebrew, exile with occupation, the shtetl with the kibbutz and old-fashioned irony with post-modern cynicism. But the paradox of whiteness in Israel is that Ashkenazim aren’t exactly “white folks” historically... A story that begins in the Rhineland and ends in the holy land (or is it the other way around?), ASHKENAZ looks at whiteness in Israel and wonders: How did the “others” of Europe become the “Europe” of the others?
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
The film illustrates the life of a single who struggles to provide an ideal childhood for her two daughters.