The precarious representations in One Battle After Another
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.

The poem of Jewish poet Mikhail Korol “Songs of the felled Asherah” is a phantasmagoric interpretation of the development of monotheism in Canaan. The goddess of love and fertility Asherah refuses the great and formidable gods, gives her love to the only God with an unpronounceable four-letter name. The tragedy of Asherah is that monotheism excludes the recognition of divine couples, and her choice means inevitable destruction and oblivion.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
When the world lost Chadwick Boseman on August 28, 2020, we all saw the impact of representation in film. Boseman was not only a Black superhero leading a Black cast in one of the most successful films in history; but his successes paved the way for more, long-overdue diversity in Hollywood.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
Supergirl is a decent movie, anchored by great action scenes and a great lead performance