“Where Fireflies Dance”
An indie production of a romantic drama with a country-western feel meant to explore lost love.

Little Marie is turned into a maid, a Cinderella, by her stepmother, while her stepsister Clothilde is pampered. One day, Prince Leonhard and his friend Peter appear, both disguised as servants, and present Clothilde with an invitation to a masked ball. Cinderella falls in love with Leonhard and fights to be allowed to go to the ball because she wants to see her supposed servant again. However, the ambitious stepmother only gives her own daughter a beautiful dress. But the magic tree on Marie's mother's grave throws down a beautiful dress. Cinderella shines at the ball and enchants the prince, but just before midnight, before the spell expires, she flees. Will the prince be able to love a Cinderella?
An indie production of a romantic drama with a country-western feel meant to explore lost love.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
A film about family and sacrifice... and carnivorous locusts coming after you.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.