“Brooklyn Nine-Nine” is Sitcom Diversity Done Right
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.

A man hunts divine beings in a city that is falling into decrepitude. The society may have turned its back on him, but that doesn't stop him from moving forward in his endless search.
This side-splitting workplace comedy features a diverse cast and tackles challenging social issues. Other sitcoms should take note.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
It’s passionately protective of the women mentioned in the story or appearing on screen. Just like the article and the #MeToo movement, the film could help a trapped person find the courage to fight back.