'Chip 'N Dale: Rescue Rangers' Makes a Comeback
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.

Johnny Broderick, arson squad investigator, and his assistant, Ben Howard,, investigate a warehouse fire and find evidence of arson. Lawyer William Yarbo is behind the series of incendiary fires that have been plaguing the city. Keely Hariss, an actress, inherited the warehouse from her father. Yabro calls on her and says that he and her father had heavily insured the building and planned to burn it and collect, and also tells her she must accept half of the insurance money or he will see that she is blamed for the arson. "Pop" Bergen, the father of Marily Bergen, is the torch man hired by Yarbo, and he perishes in one of the conflagrations. Yarbo learns that Keely is cooperating with Broderick and he enters the movie studio where she is working, determined to kill her. Written By Les Adams
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Red, White and Royal Blue still does not have an official release date. However, the cast has been sharing pictures of their filming.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night