A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Hanako is a mother, who was not enthusiastic when her husband took in two foster children some years ago. He died not long afterward, leaving her alone to care for the youngsters, Koya and Torataro, a task that she rose to with a passion. As the two boys graduate from high school, Hanako has become not only a devoted parent but the neighborhood's most reliable mother in the Osaka style: strong, responsible, irreverent. After the two boys leave school they also leave home, though Torataro continues to work in the family factory. Koya secures employment at a restaurant, where he is forced to put up with the bullying of an older colleague. Unable to take it any more, he runs away, and Hanako and Torataro look for him. They eventually find him pursuing his dream of becoming a professional musician.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
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'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
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One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
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