"Do Revenge" Bends Genres, Champions Authenticity, and Promotes Inclusivity
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.

Hanako is a mother, who was not enthusiastic when her husband took in two foster children some years ago. He died not long afterward, leaving her alone to care for the youngsters, Koya and Torataro, a task that she rose to with a passion. As the two boys graduate from high school, Hanako has become not only a devoted parent but the neighborhood's most reliable mother in the Osaka style: strong, responsible, irreverent. After the two boys leave school they also leave home, though Torataro continues to work in the family factory. Koya secures employment at a restaurant, where he is forced to put up with the bullying of an older colleague. Unable to take it any more, he runs away, and Hanako and Torataro look for him. They eventually find him pursuing his dream of becoming a professional musician.
'Do Revenge' offers a 2022-relevant sociopolitical commentary that decries virtue signaling while promoting the inclusive virtues the nefarious power structures exploit.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.
David Fincher is back in his playpen, with a dark and chilling thriller.