Passionate and Undying, Love Needs No Language in The World to Come
"There is something going on between us that I cannot unravel."

Hanako is a mother, who was not enthusiastic when her husband took in two foster children some years ago. He died not long afterward, leaving her alone to care for the youngsters, Koya and Torataro, a task that she rose to with a passion. As the two boys graduate from high school, Hanako has become not only a devoted parent but the neighborhood's most reliable mother in the Osaka style: strong, responsible, irreverent. After the two boys leave school they also leave home, though Torataro continues to work in the family factory. Koya secures employment at a restaurant, where he is forced to put up with the bullying of an older colleague. Unable to take it any more, he runs away, and Hanako and Torataro look for him. They eventually find him pursuing his dream of becoming a professional musician.
"There is something going on between us that I cannot unravel."
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
"THANK YOU, Zach Creggar!" Back in 2022, this now established star in the horror film genre gave us the quirkily creepy, unexpectedly funny (at times!) cinematic gem that was "Barbarian". It felt like a cool breeze just washed over us as, for ONCE, the much traversed roads these films tend to go with got an upgrade of uniqueness without sacrificing the ambiance of uneasiness you desire.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.