‘Avatar: The Last Airbender’ is now on Netflix
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.

Behind the high walls of the old Indian monastery, some businessmen organized a closed school of the occult sciences. The most capable student, the young man Ariel, who has the ability to levitate, once decides to escape from captivity. But the hunt begins on him
The original series is now on Netflix, you should definitely give it a watch. And if you’ve already seen it, watch it again.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
In Stowaway, director Joe Penna narrates the story of a starship crew (Anna Kendrick as Zoe Levenson; Toni Collette as Marina Barnett; and Daniel Dae Kim as David Kim) struggling with serious technical problems on a two-year mission to Mars. During the trip, they discover aboard the presence of Michael (Shamier Anderson), a stowaway who jeopardizes everyone’s life on board.
The definition of the word foul is “offensive to the senses,” which is a pretty good summation of the new Disney+ film, Artemis Fowl
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.