
My debut Comedy Central special, PAID REGULAR, is a tribute to my stand-up origins. I shot in the Original Room at the Comedy Store in Hollywood. It's where half the great comics for the last 40 years have worked out on a nightly basis. It's where I've gone up on stage more than anywhere else in the world. To me, this is what comedy is supposed to look like. My bits are about me exploring the hackiness of racism, life in weed-challenged NYC, and all the ways you too can challenge authority. And you also get some of my favorite material that we had to cut down for the broadcast edit. The Walking Dead bit was the one that hurt the most to have to cut out for TV. And there's a public service announcement that you should for sure watch with that special person in your life (unless you're both lesbians).
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.