
Paul's dad unexpectedly picked him up from work today. And then a hooker. After dropping them off at a seedy roadside motel, Paul's father handed him two hundred dollars and told him not to come out until he's a man. These are just a few of the bizarre, sexually charged events that Paul recounts to Marco, a charming and seductive hustler he meets in a dicey bar on a hidden street underneath New York City's infamous Port Authority Bus Terminal, an area officially named but rarely referred to as "Area X". It is here in this dark and shady place that Paul must navigate his way through what he wants, what he needs, and the high cost attached to both.
Ralph and Vanellope unpack lots of surprises for those who love going on the Internet.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.