'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Neurologist Katerina and former doctor Yannis are heading off to a deserted seaside resort. Silence descends on the car as they travel across dunes in a windy autumn, matching the less-than-pleasant occasion: Yannis has been called to identify the victim of a tragic accident at the hospital of the small town. When the local policeman informs them that the victim’s vehicle had plunged over the parapet of a stone bridge and leads them to the morgue, Katerina sees her worst suspicions confirmed. Together with Yannis, but also on her own nightly excursions to a mysterious, rustic beach bar called Arcadia, they begin to put the pieces of the puzzle together, revealing a haunting story of love, loss, acceptance and letting go.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.