The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

The count makes his new wife jealous when he helps a female rider who makes obvious advances at him. Lydia has barely forgiven her husband before things go wrong again. During a horse race, the count has a terrible accident that leaves him paralysed. Lydia must be strong and make up her mind: How far is she willing to go to help her beloved? (Stumfilm.dk)
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.