Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

April Folly poster

April Folly (1920)

April Poole (Davies), a young writer in love with publisher Kerry Sarle (Tearle), visits the office of Mr. Sarle and his partner Ronald Kenna (Frank) and reads her latest story to them. She has made Sarle the hero, Kenna the villain, and herself the heroine. In the story, April changes places with Lady Diana Mannister (Marshall), who is being sent to South Africa to separate her from her lover, a young artist. A famous diamond that Lady Diana is to deliver at the end of her journey is given to April. Thieves trail her during her journey. With efforts by Kenna to steal the diamond prevented by the intervention of Sarle, the story comes to a close.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


April Poole (Davies), a young writer in love with publisher Kerry Sarle (Tearle), visits the office of Mr. Sarle and his partner Ronald Kenna (Frank) and reads her latest story to them. She has made Sarle the hero, Kenna the villain, and herself the heroine. In the story, April changes places with Lady Diana Mannister (Marshall), who is being sent to South Africa to separate her from her lover, a young artist. A famous diamond that Lady Diana is to deliver at the end of her journey is given to April. Thieves trail her during her journey. With efforts by Kenna to steal the diamond prevented by the intervention of Sarle, the story comes to a close.

Rating:
Genre:Crime
Directed By:Robert Z. Leonard
Written By:Adrian Johnson
In Theaters:3/20/1920
Box Office:

Runtime:50 minutes
Studio:International Film Service, Marion Davies Film Corporation, Cosmopolitan Productions

Articles You May Like


'A Girl Walks Home Alone At Night' Review: A Powerful (If Unintentional) Look At the Exploitation of Women

A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.

Marisa Jones