Trauma Profiteering in Jordan Peele's 'Nope'
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.

A blackmail drama, a power-game amongst three adolescents who use manipulation, dominance and sexuality as weapons to achieve what they want. About getting a pass or fail in today's society, about how far people are prepared to go and about which limits they are prepared to go beyond in order to reach their goals.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.