Disney Pixar's "Turning Red" - Mei as a Red Panda Learns Acceptance
Growing up is a challenge for everyone.
Apple (2020)
When the last two alive on Earth are a 10-year-old boy and girl, compromise and navigating through their differences is the only chance for humankind.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
When the last two alive on Earth are a 10-year-old boy and girl, compromise and navigating through their differences is the only chance for humankind.
Rating:
Genre:
Written By:Douglas Spaltro
In Theaters:10/10/2020
Box Office:
Runtime:16 minutes
Studio:
Articles You May Like
“They’ve Gotta Have Us” Explores the Rise of Black Cinema in Hollywood
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
“A Girl Walks Home Alone At Night” Review: A Powerful (If Unintentional) Look At the Exploitation of Women
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
Father’s Day Features from a Fatherless Child
Growing up without a dad, I got a lot of my fatherly advice from the prototypes I saw on the silver screen. It’s these characters and films that gave me a glimpse into a dynamic I had never known but also made me realize that I was missing out. Here are my top 10 paternal films.
Game of Thrones Retrospective: No One Wants to Sit on the Throne Anymore
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Mississippi Masala: A Romance that Interrogates Racism from Within and Without
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.