A loving family, a successful career, finding true love. The things we all strive for in life. Many find their paths to be easy and straightforward – others are like metal to magnets, being pulled in directions with no control of their own. This is the story of Jack Hipp; a successful veteran police detective whose life always seemed to work out well enough. Yet he was always searching for more – whatever it might take to make his time on earth meaningful. And like most, he hoped to find true love and happiness in his life journey. A well rounded man, Jack moved up in the ranks in his career, had been a role model to kids, treated his family with respect and love. It was quite by accident that he found himself falling for a beautiful, up and coming criminal defense lawyer, Aponi Rhodes, who was almost twenty years his junior. Ironically, she was also on the prosecuting end of a case being built against his former police partner, Mike Deluca. Could their differences stack the cards …
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
'Riders of Justice' perfectly depicts some masculinity problems present in our society. Moreover, it talks about how hard is to lose someone and how different people deal with the situation.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
Partners in crime, Eric Andre and Lil Rel Howery road trip from Florida to NYC.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Upon first watch, Buddy feels like it should have been aired on Adult Swim at four in the morning.
