Gus Van Sant's Constant Thematic and Cinematic Elements
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.

Slackers in their 20s gather for a pre-Thanksgiving party and find themselves facing the end of the world in ensemble comedy that offers thought fodder concerning the plight of a generation that has been so overshadowed by the hype surrounding the baby boomers that they feel there are no frontiers of reality left to explore. All of the guests know each other from their high school days and have grown up to take wildly divergent paths, many of which are observed before the fateful gathering, hosted by the strangely devilish Kurt Swan, a convicted killer.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
This anti-love young adult movie includes mature topics and dialogue.