Inspired by Charlotte Cranston's short story of the same name, "Apocalypse Book Club" is a raw yet lighthearted romantic comedy that follows the unlikely friendship between Raymond, an unemployed accountant, and Evelyn, a socialite recovering from a broken leg. Each week they meet at a diner to discuss, among other things, their predictions for how the world might end. This time, though, as the conversation unfolds, they must bear their souls and face each other's most difficult truths. The film explores the humour and depth of human connection in the face of life's uncertainty.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Throughout the film, Kate desperately tries keeping her status as an influential YouTuber; however, her follower and view count crumble, mirroring the world around her.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
