María del Puy Alvarado, through her production company Malvalanda, faced the proposal to produce a documentary about the writer Antonio Muñoz Molina, in one of the programmes offered by Televisión Española to give an account of the great creators of Spanish culture and in Spanish. On this occasion, the approach to the Andalusian writer reveals a rich portrait that comes from the writer's self-reflection who, in many moments, is spurred by the interlocution of his life partner and also writer, Elvira Lindo.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
Baggage’s experimental mixed formats visualized a woman’s brave inner journey of visiting the museum of her fragmented memories.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
