Ryan Coogler's Sinners Turns Horror into History
Set against the backdrop of the Jim Crow era, the film offers layered representation.

Anna is a psychologist undertaking research about famous suicidal women. She takes a specific interest in the case of Antonieta Rivas Mercado, who killed herself in 1931 in the Cathedral of Notre-Dame de Paris.
Set against the backdrop of the Jim Crow era, the film offers layered representation.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The Night Doctor achieves telling an original story in which the pace accelerates progressively while supported by dark aesthetics.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
This coming-of-age movie discusses immigration issues in the United States through the eyes of two exchange students in Brazil.