The Women and the Murderer: Made by Women for Women
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

1947, in France, Antoine and Antoinette, a young couple living in Paris, lead a monotonous existence: he works in a print shop while she is a shop assistant. But one evening, they regain hope: Antoine finds a winning lottery ticket in his girlfriend's handbag. He decides to cash it in, but loses his wallet. What follows is a series of twists and turns that redefine the couple's priorities while forcing them to remain optimistic.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
The latest in the lineup of Disney+ Marvel shows, Hawkeye is shaping up to be a fun Christmas-themed Avenger show that’s also really down to earth.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.