“Not My Dog,” But It Should Be
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.

"Chile On Hell" was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax - Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax's entire catalogue - all the fan-favorites including "I Am The Law," "Indians," "Madhouse," "Caught In A Mosh," "The Devil You Know," and "I'm Alive." "Santiago was the perfect place to film the show for this," said Anthrax's Charlie Benante. "When we'd played there in the past, we'd finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn't stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn't we want to film a DVD in front of an audience like that?
Not only can viewing Not My Dog inspire people to adopt a dog that may be facing tremendous odds, but even that simple action of watching has a social effect.
Making Apes begins by looking back at the history of makeup effects in Hollywood, which was revolutionized by Jack Pierce, the person behind Frankenstein (1931) and The Wolf Man (1941)
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Joann Kohng’s Subject to IX tells the heartbreaking truth of the Title IX rules that colleges abide by.