
1918, Castelao leaves his public position in Pontevedra to work as a doctor in Rianxo during the Spanish flu. A hero for the town, but an absent man for his wife, Virxinia. 1929, the couple travels through Brittany a few months after the loss of their only son. Two broken beings and a bond that is no longer understood. A trip will unite them forever and ever. Castelao before being Castelao. Galicia before the “xeración Nós”. Castelao and Virxinia before being “we”.
There is no aspect of this film that falls short, except perhaps in minor ways.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
Although bogged down by a slow pace and moralistic intent, ‘Deadly Garage Sale’ (2022) makes the most of its silly and nonsensical premise.
Few movies deal with aging (particularly aging women) with as much compassion as Relic does. Yet it’s not sickly sweet and not a soapbox rant against ageism. Relic simply is, allowing the horror to seep in quietly and carefully.