Crazy Rich Asians: Cosmopolitan Film but Tacky Title
Crazy Rich Asians. The title is tacky, but the actual movie is both heartwarming and cosmopolitan. After all, it takes place in Singapore!

There is no-one quite like Anselm Kiefer. Having achieved fame and notoriety in equal measure in the 1980s, he has become one of the world's most singular and successful artists. Working with themes of history, memory and mythology, Kiefer produces work that is consistently controversial, and monumental in its scale and ambition. In this imagine... Alan Yentob joins the artist at his studios in France and Germany as he prepares for a retrospective at the Royal Academy. In a series of frank interviews set against the backdrop of his awe-inspiring studios, Kiefer discusses the impact of his most significant pieces, installs a selection of new work, and explains why he is as excited and driven by his practice now, at the age of 69, as he was when he began.
Crazy Rich Asians. The title is tacky, but the actual movie is both heartwarming and cosmopolitan. After all, it takes place in Singapore!
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
The Invitation takes a creeping look at two simple premises: reuniting with forgotten friends and new-age spiritualism. Though one seems a bit scarier than the other, the film heightens social awkwardness to a macabre level that puts an uncomfortable look on when the social taboo of grief is put on public display.