Rich Do-won lives off the libido of a sexual plaything girl named Yoo Min-hee. One day, his elder brother, Dae-ho, is kicked out of the company after his brother's business went bankrupt and he was raising money here and there. Dae-ho visits his wife Seong-ah and borrows money from Do-won. But he can't even pay back the interest and ends up being a fugitive, and Do-won takes advantage of this opportunity to approach Dae-ho's wife. After such a hard time, Dae-ho and Seong-ah run away. However, Dae-ho dies after being caught by Do-won, who was waiting in advance, and takes the baby home alone. As time goes by, Seong-ah's body heats up and wants an active relationship, and then Do-won's unconventional demands increase. And then one day, her husband who she thought was dead, came to see her.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Marvel’s animated show What If...? ended last week, so let’s go back and look at all of the different universes shown and rank each episode from worst to best!
A24 keeps producing amazing films and X belongs with all the brilliant titles under its name. And is definitely a must-watch for a film enthusiast!
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.
The [SPOILER-Free] story of Jurassic World: Dominion is that the humans never learned from their mistakes from the previous films, science is still running amok, and the world is paying the price.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
