Cassandra Jones is a young woman from Toronto with a very active imagination and unique view of the world. Feeling trapped by life in her low-income community, and unable to relate to her brother Patrick, a petty criminal, or her overly pious mother, Mary, Cassandra decides to leave Toronto. She applies and is accepted into an exchange program between Quebec and West Africa. When she reaches her Quebec destination, a pig farm, she encounters, Sylvie Leblanc, a woman in need of change, her husband, Luc Leblanc, a man afraid of change and Abdoulaye Diallo, her African exchange counter-part, a man who regrets his decision to seek change. Because none of her expectations are met, Cassandra quickly becomes unhappy on the farm. Her presence creates plenty of tension, much of it humorous. A surprising conclusion comes about after a roller-coaster series of events.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
Step deep into the 21st century and discover the complexities of artificial combat soldiers.
Emily and Stephanie are back... just add gin and drama.
Released on Disney+ during the pandemic, this musical tells the story of founding father Alexander Hamilton and depicts the formation of the United States with a diverse cast.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
