
Edgar Allan Poe's macabre masterpiece of murder and madness, re-imagined as a modern day revenge thriller.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.