Drivers Luca and Toni are driving an ambulance to Serbia to repatriate Emir, a sick man searching for his past. Travelling with them is Maria, his daughter, who hasn’t seen him for years. The journey eastwards lays bare the secrets of four lives, propelling them towards a decisive turning point.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
