I Want to Spend 'Christmas With You'
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.

Fifteen years ago, two teenage girls were murdered at Merrymaker Campgrounds. The case was filed an animal attack, the camp was condemned and the killer never found - but something horrific still waits in those woods.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
'Yuri!!! on Ice' turned queerbaiting on its head and gave me hope when I needed it the most.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.