Two teenagers meet one last time before one of them returns to the countryside she so deeply despises. She takes solace in the promise that her lover will soon come to visit her there. Trapped in darkness, she can do nothing but wait. Time passes—and even after death, her tormented spirit lingers earthbound, longing for the moment the two may finally be together again.
This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
Ever heard of the bad boy type? The type of man who's sexy yet broody, or the type of man who’s dangerous but has a sensitive side? It’s a well-known stereotype that women are attracted to villains. The question is: why are we?
