Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

An ophthalmologist's assistant with an unhealthy interest in human eyeballs goes on a killing spree to collect eyeballs for his overbearing mother's collection. Reality soon takes a bizarre turn, both for the characters and the audience.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
I have talked with founder of Red Nation Television Network, Joanelle Romero, and the future of Indigenous representation looks bright.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
Our trilogy at Seabrook High School starts with a rivalry between zombies and humans who eventually come together.