Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Angela’s Ashes: The Musical is a remarkable story, told with rare lyricism and a warm inimitable sense of humor as we follow Frank McCourt’s escapades and experiences in a Dickensian landscape peopled by a drunken father, a helpless mother, pompous priests, and bullying schoolmasters; money-lenders, dancing-teachers, and charity workers, culminating in his escape from grinding poverty to the redemption of a new life in America.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The Olivia Wilde renaissance is upon us.
For those tranquil houses with white fences, what is happening behind every closed door?
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.