Angela’s Ashes: The Musical is a remarkable story, told with rare lyricism and a warm inimitable sense of humor as we follow Frank McCourt’s escapades and experiences in a Dickensian landscape peopled by a drunken father, a helpless mother, pompous priests, and bullying schoolmasters; money-lenders, dancing-teachers, and charity workers, culminating in his escape from grinding poverty to the redemption of a new life in America.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
