A medical emergency aircraft crashes in the snowy Rockies. The pilot, two paramedics, a two-year-old patient, and her father all manage to survive the crash. Unfortunately, the little girl's already critical condition is rapidly worsening, her father is growing hysterical by the minute, the pilot is seriously injured, and the paramedics aren't sure if they are emotionally equipped for the crisis.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
She is being made to justify why she doesn’t believe he’s a feminist, instead of him having to justify his choice to claim he is one.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
