After suffering a life-threatening stroke four years ago, the broadcaster and political journalist Andrew Marr quickly regained his ability to speak and was able to resume work. But he is still frustrated by lack of movement in his left arm, hand and leg. In this very intimate story, Andrew is on a mission to understand the mysteries of the human brain and to achieve further recovery. He meets some of Britain's million plus stroke survivors and travels the world in search of a miracle cure.
From its visually stunning opening credits, which show women dancing through a forest to musical rhythms that sound almost primal, to its quiet, heartbreaking final frame, Mona Fastvold’s historical rendering of the Shaker religious movement is an experience that will stay with me for a long time.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
