Finding Happily Ever After in Disney's 'Disenchanted'
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.

André Heller commissioned Heinz Bütler, a Swiss filmmaker known for working with artists, to create a short documentary about Luna Luna. The film offers rare access to Luna Luna's artists as they painted their rides and attractions, culminating in the excitement of being at the fairgrounds surrounded by performers, crowds, and music. The camera walks us through the artist-designed pavilions and takes us for a ride on Jean-Michel Basquiat's Ferris wheel. The soundtrack includes some of the music heard on the rides and attractions at the park: first Miles Davis's "Tutu", played on Basquiat's Ferris wheel, followed by a number of songs by Philip Glass (who contributed music to Roy Lichtenstein's pavilion), and finally, Blue Chip Orchestra's composition for Salvador Dalí's dome.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
The relationship between Will and Sean is the best part of the movie. It’s always a delight to see Robin Williams on screen
This reboot of The Wonder Years is told from the lens of a Black man.