Roald Dahl's "Matilda the Musical"
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Although the budget was a dollar and a dream, Netflix's 'First Kill' managed to gain over 90 million viewing hours and a small cult following. So why was it canceled? Given the trends in series cancellations, it may have been because of the Black and queer protagonists.
A young girl named Hailey Mays sings a country song that is named after the film's title.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.