Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A tiny film production house in Mumbai navigates everyday challenges while struggling under the leadership of an excitable, eccentric director and a sharp-tongued, openly gay producer. All, while being filmed by a documentary crew.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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