'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.

Naples. A Virgin with bruise on her cheek who performs miracles. Three female characters, each connected to the Virgin in their own way but who never meet. Giusy, a girl in a wheelchair who had no right to a miracle; an atheist, free-spirited, and an anthropologist specializing in the worship of the Virgin Mary. Fabiana, a transsexual at the head of a troupe faithful supporters of the Virgin in a popular district of the city center. And Sue, a Korean pianist in search of a new direction for her life, teaching music to children in difficulty in a city far removed from her original culture. Each with their intimate wounds and each searching for a "miracle".
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
Happy Halloween! If you were debating capping off Spooky Season with a viewing of Hocus Pocus 2, it is just very clear that this is more for the younger audience as opposed to people who grew up with the original.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.