The Mystery of Marilyn Monroe: The Unheard Tapes... It's All Been Heard Before
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.

A biology teacher might define "peristalsis" as waves of contraction along a hollow muscular structure (such as a rectum) that squeeze the contents onward. With five eye-popping, ass-expanding scenes that expose pretty girls' buttholes consuming, hiding and then squeezing out wild-ass foreign objects (and one big, black cock), director Jay Sin's "Anal Acrobats 5" might be defined as a graphic look at peristalsis, with surreal and cartoonish flourishes. Jay has assembled his usual, stunning array of fun loving, flexible vixens, and his vivid camera work captures their anally acrobatic exploits. Over and over he presents crystal close-ups of that breathtaking moment when a big ball or toy stretches the anus to maximum wideness, perched precariously in the pink threshold, about to be either sucked back into the warm, wet confines or expelled with a pop, leaving the asshole to gape open or wink closed.
The film basically says she was a lost cause from the start. We don't get a sense of who Marilyn was.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.