'The Mad Woman and the Feminist' Review: MiamisFF
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.

Azlinda`s 21st birthday triggers sinister disturbances that are linked to a pact which her late mother made. Amidst her pursuit of religious studies, malevolent forces are awakened, compelling Azlinda to seek Ustaz Taha`s guidance in battling demonic influences. As challenges intensify and tragedies unfold, Azlinda faces a gripping showdown against dark forces, culminating in a climactic battle where she confronts the malevolent presence head-on to break the pact.
'The Mad Woman and the Feminist': This Spanish entry for the MiamisFF directed by Sandra Gallego handles a difficult conversation in a smart, memorable way.
Disguised as a cosmic highway horror, Alexander Ullom’s It Ends is a beautiful, albeit terrifying, metaphor for learning that if you want to survive adulthood and become your own person, you have to learn to let people go.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.