
Ana swims in the waters of a wild lake. It is summer, and the heat is overwhelming. Meanwhile, her father waits for her in the cold corridors of the hospital. Her mother, who has been ill for years, is living her last days. Ana, who has lived too long with this illness, tries to hide a pain that words cannot express.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
This comedy brings a big surprise to Josh and his family when they move to New York City and struggle to adapt to their new friend.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.