Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
An Erotic Werewolf in London poster

An Erotic Werewolf in London (2006)

Misty and Ruby are a couple who run a lesbian bar in New Jersey when their lives change one night with the arrival of a seductive woman (Anoushka) who bites Misty, thus starting her slow transformation into a werewolf. Anoushka the werewolf returns to her home in London, England where she gives an interview to a young reporter about her life as a werewolf, while back in America, Misty undergoes a slow transformation into a werewolf herself which may lead to danger for Ruby, and any other woman involved.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Misty and Ruby are a couple who run a lesbian bar in New Jersey when their lives change one night with the arrival of a seductive woman (Anoushka) who bites Misty, thus starting her slow transformation into a werewolf. Anoushka the werewolf returns to her home in London, England where she gives an interview to a young reporter about her life as a werewolf, while back in America, Misty undergoes a slow transformation into a werewolf herself which may lead to danger for Ruby, and any other woman involved.

Rating:R
Genre:Horror
Directed By:William Hellfire
Written By:William Hellfire
In Theaters:3/6/2006
Box Office:

Runtime:69 minutes
Studio:E.I. Independent Cinema, Seduction Cinema

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses