
Mr. Doh drives a forklift at a factory. After receiving an urgent message indicating that his mother is in critical condition, he tries to take some time off. The answer from his boss is “No way” because he is an irregular worker. He gives up taking time off since it should deduct from his monthly salary. Upon hearing his sister’s anxious words, “Your mother is sick, how could you not… Are you sure you are not going?” Mr. Doh enters the gate of the factory again. He tries to pray for his mother by taking a bible from the library, but the wall of the staff library is even higher than the Berlin Wall for him, an irregular worker.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
Overall, Sand Castle was another lack luster war drama that will eventually fade into the many similar war dramas I have seen throughout my life.